Do They Even Know You?*

One thing that helps professional detectives catch a murderer is to find out as much as they can about the victim. After all, many victims are killed by someone they know. So, the better we know the victim, the easier it is to find the killer. It’s not always easy to get to know a victim, especially if that person led a very private life. But in the end that knowledge is worth a great deal when it comes to catching a killer.

Agatha Christie’s Death in the Clouds, for instance, begins in Paris as a group of people board a plane bound for London. Shortly before the flight lands, one of the passengers, Marie Morisot, is found dead of what turns out to be poison. At first no-one knows much about her. She seems like a normal enough woman who’s simply on her way to London. It soon comes out, though, that under the name of Madame Giselle, she was a successful moneylender who used her clients’ secrets to ensure that they would pay their debts. Once that information comes out, Hercule Poirot, who was also on that flight, is able to focus on the people who knew Madame Giselle. Several of them, as it turns out, had a motive.

In Arnaldur Indriðason’s Jar City, Inspector Erlendur and his team are called to the scene when the body of an old man named Holberg is discovered. On first look, he is an inoffensive elderly man with a ‘regular’ job. The initial explanation for his death is that it was a robbery gone very wrong. But it’s not long before little things suggest there’s more to this case than that. For one thing, Erlendur discovers a cryptic photograph in Holberg’s home. Then, it comes out that Holberg had been accused of rape years earlier, although he’d never been arrested or convicted. And it’s quite possible that he raped more than one woman. As the story goes on, we find that Holberg had a much darker history than the team thought at first, and that more than one person had a very good motive for murder.

Betty Rowlands’ Murder at Hawthorn Cottage introduces readers to crime writer Melissa ‘Mel’ Craig. She’s recently taken a cottage in the Cotswolds and is settling in when she gets a strange call from a man who thinks she’s someone called ‘Babs.’ At first, it seems like a simple case of a wrong number. But she gets another call from the same person, who keeps insisting that she’s Babs. Now, Mel is curious about who Babs is, so she starts asking questions. In the meantime, journalist Bruce Ingram wants to interview Mel for his paper, so she agrees to meet with him. From Bruce, Mel learns that a young woman named Babs Carter went missing a year or so earlier. Everyone thought she simply pulled up stakes and left town. Then, a body is discovered on the property next to Mel’s cottage, and it doesn’t take long to establish that it’s Babs. Now the missing person case has become a case of murder, and the police begin their investigation. Mel is content to leave the work to the police, but Bruce wants to find out the truth about Babs’ murder. Little by little, we learn who Babs was, and what her world was like. And in the end, getting to know Babs helps Mel and Bruce find out who killed her.

Anthony Bidulka’s Going to Beautiful features Toronto-based celebrity chef Jake Hardy. He and his husband, fashion designer Eddie Kravets, have a strong marriage and a happy, healthy adult son, Connor. In fact, Jake has a great life. Then one night, Eddie tragically dies from a fall off the balcony of their posh condominium. The police soon suspect murder, and naturally Jake becomes a ‘person of interest.’ He’s cleared quickly enough, but plenty of people still think he’s guilty. Eddie and Jake both wrote down their last wishes, and as Jake consults Eddie’s list, he sees the word beautiful. He soon works out that the word refers to Eddie’s hometown in Saskatchewan, and that spurs him to make a decision. He wants to find out about the part of Eddie’s life that he didn’t know, and he needs a break anyway. So, he and a friend travel to Beautiful. While they’re there, Jake finds out a great deal about his husband, including some things he’d never known. And in the process, he is able to work out who killed Eddie. That trip is, among other things, Jake’s way of finding out about a person.

In Nalini Singh’s Quiet in Her Bones, novelist Aarav ‘Ari’ Rai is staying at his parents’ home to finish recovering from serious injury. It’s not a happy visit, as Ari has never been close to his father. Still, he likes his stepmother, Shanti, and his half-sister, Pari, so although the atmosphere is tense, he’s trying to make the best of it. Then, the bones of Ari’s mother Nina are discovered. Everyone thought she had left of her own will ten years earlier, but now it’s clear that she didn’t. The police begin to treat this as a case of murder and start looking into the victim’s past and her relationships. Ari wants to know the truth about his mother, too. He always felt close to her, and never completely understood why she left. So, he starts asking questions to try to get to know his mother better. As the story goes on, we learn who Nina was, what she was like, and ultimately, what led to her death.

Everybody has some sort of history, and that includes murder victims. Very often, knowing that history, and knowing the victim as well as possible, are key to finding out who the killer is. It sometimes takes effort and time, but in the end, it’s usually well worth it.

 

*NOTE: The title of this post is a line from Avril Lavigne’s My Happy Ending.

 


10 thoughts on “Do They Even Know You?*

    1. I like the Erlendur series, too, KBR! They do have a real sense of place as well as solid character development, in my opinion. I like the way you put that, too: if you understand the victim, you go a long way towards knowing who would have killed that person and why.

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  1. Margot: Not many mysteries send a shiver up my spine but Jar City succeeded.

    While not emphasized there is regret for Jake Hardy only finding out about his husband’s life and family in Saskatchewan after he is gone. While there was abundant pain in Eddie’s Saskatchewan’s past there was also a wonderful community and people that cared about him.

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    1. You have a well-taken point about Going to Beautiful, Bill. There is a strong,, wonderful community in Beautiful, and Jake finds a new family there, if I can put it that way.

      And as far as Jar City goes, you’re right about how that novel can give a person the shivers. There is a lot of darkness in that story, and it’s woven in in such a believable way that it only adds to the creepy atmosphere.

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  2. I love the sort of crime plot where they set out to find out about the murder victim only to discover he or she had a secret life going on that not even his nearest and dearest knew about.

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  3. It’s always more interesting when a murder arises because of the victim’s past or personality than if it a random killing – one of the reasons I don’t find serial killer novels so enjoyable. You’ve reminded me that I still have Quiet in Her Bones on my wishlist – I must get to it one day soon!

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    1. I agree with you, FictionFan. It really is more interesting when the victim’s past, personality, etc.. is the reason for a murder. Serial killers do exist, of course, but I just don’t find novels about them interesting in the same way. When you do get to Quiet in Her Bones, I hope you’ll like it. It does have a great sense of getting to know the victim, in my opinion.

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  4. Really good thoughts. I agree. Knowing the victim and their secrets helps solve the crime or adds another dimension to the story. I’m reminded of 13 reasons why. The second season had a completely different take on the character that committed suicide (it wasn’t murder) and that changed things. Season 3 and 4 was crap though. Poor writing. Terrible plotting.

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    1. 13 Reasons Why is a really good example, OP, of how knowing more about the victim can add dimension to a story. We gradually learn as the series goes on, and in the case of a novel, as the novel goes on. As those layers get peeled back, we find out what would have gotten that person killed.

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